Job Roles - Research -

Although we all had an influence in aspects, my job was the Mise-en-Scene director. This meant that I had to decide on all the hair, make-up, costume and set design.

I researched into the jobs that each of us in the group had to do and what skills that had to have so that we all knew what needed to be done and what was expected of each of us.


Directing
Directors have the overall responsibility for the creative vision and overall style of the film. The main responsibilities include; casting, script editing, shot composition, shot selection and editing.
They can either write the script themselves or assign someone to do it. They must have an idea of what they want the film to look like and achieve and will come up with a plan of how they will get to the finished stage. They then direct rehearsals and performances and manage the technical aspects including camera and lighting. They are responsible for encouraging the team to work to their full potential.
Directors must have the skill to communicate well with others and have a strong passion for creating films. They must also be able to delegate jobs within their team and to make worthy decisions. They should have motivation and belief in themselves and the film itself.
Directing does not require any specific qualifications as they can learn from experience. Starting as a runner for a film is usually an adequate place to start in the film industry.

Camera
The camera operator has to ensure that they carry out the correct instructions about the shot composition and development from the Director. They usually assess how all the elements of performance, art direction, lighting, composition and camera movement come together to create the cinematic experience that the Director is trying to create.
They have to decide where to place the camera and what lenses and supporting equipment to use. They must be able to think quickly and adjust to any last minute changes. Camera operators need to be able to notice problems with lighting and angles of the camera.
Skills include; having a close attention to detail, working as a team, ability to combine creativity with technical skills, physical co-ordination and strength.

Lighting and sound
Lighting operators ensure that the appropriate lighting and power supply are being used. They have to decide where artificial lights need to be used and when the natural lighting would be adequate. With the lighting they are required to create a variety of moods, atmospheres and effects.
The sound department either film the sound on-set or add it in during the editing stage. They must ensure all the dialogue is clear and that there are no unwanted sounds. Also, the microphone should be placed the correct distance from the characters. Sound produces a particular atmosphere, period or location. Sound Designers source different kinds of sounds, and often create and record original new material.

The Costume Department
Costume designers
Costume designers start working with films at the pre-production stage. Their job is to design, create, search for and hire out costumes for the actors and extras. They have strict budgets and tight deadlines. As the head of costume design, it is their job to staff and manage a team. They have to break down the script and see which costumes would be most suitable for the characters. The costumes have to highlight the character’s emotional journey throughout the film and the designer does this by varying the intensity and depth of colours.
Costume designers must research into the time period which the film is set in to make sure the style, design and construction methods are mimicked. They show the Director several of initial ideas which include fabric samples and sketches. They have to make sure that fittings are correct for the actors and extras and also complete deadlines. They produce the fabric research and purchase the clothing. When the filming has finished, designers are required to return any hired costumes and are to sell or dispose of the remaining costumes.

Wardrobe supervisor
Wardrobe supervisors are on set from day-to-day and are required to make sure that the shooting runs smoothly with the costumes and equipment. They have to look at the schedule book to ensure that they have all the costumes prepared for each scene for the day of shooting.

Hair and make-up designers
They are essential in creating a look in relation to social class and time periods. Make-up and hair effects include the design and application of wigs, hairpieces, hair extensions, facial hair, bald caps, tattoos, body paint; as well as medical effects such as cuts, scars, bullet wounds, burns, bruises, blood and the physical symptoms of various diseases. Ageing and death effects are also the responsibility of the Make-up and Hair department. The designers assess make-up and hair requirements, set up their department, employ staff, prepare budgets and ensure that they reach the deadlines set.
During pre-production they need to break down each scene of the film and make detailed notes on many factors including; the effect the story will have if the make-up and hair is done a specific way. They need to assess the creative and technical requirements. They also check if the actors are comfortable with their look and check for any allergies. They must carry out a full risk assessment which identifies potential risks and how the cast will control them.
Prior to shooting, they give their team the brief and make sure the characters look is kept consistent which will show continuity. The designers then set call times for the actors to get prepared for shooting. They then work closely with the camera department to ensure the make-up and hair is suitable in different lighting. After shooting, the designers are responsible for returning any hired items and for the final monies spent.

The Art Department
Production designer
Production designers have to read the script and construct sketches of how they would bring the story to life and help create atmosphere. They decide whether to use backdrops or actual locations; what should be built and what should be adapted, where CGI should be used; whether there are any specific design elements that should be included to give an emotional depth to the film. They then deliver these sketches (detailing mood, atmosphere, lighting, composition, colour and texture) to Art Directors who then build the sets and adapt locations. Props buyers and set decorators manage their teams who find the props and organise the manufacturing of specialist items. They are assigned to complete all special effects, the hiring of vehicles and organising the cast of animals. After shooting they are required to clear all locations and to ensure that all Art Department bills are paid for.

Set Decorator
There are two types of props: action props which are stated in the script; and dressing props, the ones that create atmosphere or add a sense of reality to the character. Small details often describe the character’s personality or their lifestyle. Such things as, the pictures on the walls, the contents of their fridge or cupboards, their books, the items kept in the drawers of a bedside table.
Set decorators research into feature films and they design and prepare every set and adapted location for the film. They go out and visit several of Prop Houses where they can choose and book which props are going to be used for the film. A list is created which states which props are going to be used in each scene, in which they can then check the items for any missing props. Prior to shooting, set decorators photograph all items and take measurements when necessary. After the shooting, any items that have been hired have to be returned on time due to the expenses involved.

Graphic Artist
Graphic artists are the people who design and make the props. They are responsible for making sure such items as cash and credit cards are believable to the audience when in fact they are just copies. They have to make sure that the props fit the time period and the characters personalities to create a realistic film. It the actor or actress is required to work closely with a prop then the graphic artist will show them how exactly to use it. They often design props using freehand drawing then transfer the picture onto Photoshop or Illustrator.

Draughtsman
Draughtsmen draw up set designs. The drawings supplies a technical template which includes the construction, measurements and materials used. They create models of the sets and show them to the Art Department to get clarification. They are often required to work to tight deadlines and either work in an office using drawings and scanning them into the computer or they go to the locations and help out the carpenters with the construction of the sets.

As there is only four of us in the group we will delegate jobs between us:

Camilla Braine will be the Director. She will make decisions towards the treatment, shot composition and the script. Camilla will also make up the shooting schedule and make sure that we as a group all contribute to get the tasks done on time. On set, she will be making sure that all the cast and crew are present and in the correct positions and will also decide when the take will start and finish.

Danah Hussain will be cameraman. This means that he will make decisions towards the shot list and storyboard. He must make sure that he uses the correct shot sizes and angles for each shot to create the right atmosphere. On set, he will make sure that the shot is adequate for the storyline while also making sure that the actors/props and set design is all included in the frame.

Sam Cunningham will be in control of the lighting and sound. After looking at the shots and storyboard, he will have to create the right mood for each scene through lighting. He will be required to make decisions on whether artificial lighting or natural lighting can be used.

I will be the production designer which requires me to make decisions on the hair, make-up, costumes, props and set design. I will need to make sure that all the decisions I make create the right ambeince for the film. I will also be required to

After gathering all this information, I watched Kidulthood and pulled out all of the set design, costumes, props and hair and make-up. I did this because Kidulthood is a drama about youth culture like My Brother Leon. I presented it in a table so that it was clear. This is my influence when choosing the set design, hair and make-up and costumes for the filming of My Brother Leon.